And She Emerges All Bloodied and Battered

Yowza. What the hell just happened? What a way to start the year – month after month of increasing agitation and a crisis of confidence that comes to a head in April. That’s like 1/3 of the year already done, and I’m left reeling and confused. But things are finally settling down, and I’m getting back into a rhythm.

I hate second-guessing my decisions and my work, but I guess those moments are important. They force me to sit back and think seriously about my goals – if I have any, that is – and to reassess the direction I’ve taken. I mean, I continue to be haunted by dozens of “what ifs” regarding my market. Having one of my co-workers retire recently in order to pursue his true passion in art really ate away at me and made me question so many things.

I was actually tempted to take May off from writing LGBT YA fiction in order to focus on producing a fantasy novella that has a more mainstream appeal, but I tried that before, and it fell flat. Sad to think that I was ready to sell out just so I could quit my day job and just focus on my writing. In the end I just had to let that feeling work its way out of my system, and today, I was able to sit down and hammer out 5,000 words for Helleville.

The doubts are still there, though, but they’re not as harsh as before. I haven’t thought about historical fantasy fiction in a long time now, and for that I’m glad. Letting go of that genre indefinitely was a bitter pill to swallow, but I got over it, and now I’m just focused on contemporary stuff and am enjoying my new work-in-progress.

I guess the doubts that linger now touch on my chosen subject matter for Helleville, which revolves around a single mom and her gay kid who’re both tossed into an alternate world by the Soul Warriors as a way of rehabilitating them back into “virtuous” living as defined by the grandparents, who’re both social conservatives. In previous books, I tried to avoid being preachy or outrightly critical of certain people, but this book is different, and it’s necessary for me to make a point regarding the nature of the alternate world in order to establish the conflict arising from the choices that the trapped residents ultimately have to make.

It’ll be a tricky balancing act, and I’ll be going over the pedantic elements during the revision process and will be making them more subtle. Hopefully, anyway, the dark humor of the whole thing will help, but I won’t shy away from my purpose. Too many kids are getting hurt, and having grown up in a conservative Catholic household, I feel pretty confident in my criticisms.

Now Available: Clouds’ Illusions

Here’s short story number seven from me! :) “Clouds’ Illusions” is a modern fairy tale-y thing that, frankly, I really can’t describe more accurately as it’s a story that you shouldn’t read literally. Yeah, it’s an extended metaphor about a gay kid’s process of maturation.

Five-year-old Simon, along with his parents and older sister Amy, go to a carnival one day. When a sudden deluge separates the family and leaves Simon alone and frightened, the child undergoes a journey of maturation as he searches for his parents and sister.

Wandering through the ruined carnival, Simon encounters rain-soaked clowns, muddied carnival-goers, and a special young boy named Brian, who’s also lost. The longer Simon stays in the carnival and the rain that continues to threaten everyone’s fun, the more he learns about life, and he leaves the carnival a man with hopeful prospects ahead of him.

“Clouds’ Illusions” is a modern fairy tale, a metaphor for a young gay man’s coming-of-age with all its illusions and truths, and the wisdom that comes from the marriage of rain and sun.

An excerpt can be read at the book page, and you’re also entitled to a new release discount of 20%, which will be good for a week. :)

Trivia bit: this story was inspired by this song (rather sentimental, I know):

A Bit of a Wonky Transition

And so the winner of the epic work-in-progress stare-down last week turned out to be Helleville, which wasn’t surprising, seeing as how that story’s already nicely outlined in my writing journal, while the fairy tale I began was more like a let’s-see-what-happens-next thing.

On one hand, I’ve been able to make significant progress with the new book. As of today, I’ve got over 8,000 words written, and so far, so good. I’m slowly getting the hang of Noah’s voice as well as his mother’s, and I’m about to let loose with the setting.

My inspiration for 'Helleville'.

On the other hand, I’ve been having a pretty tough time transitioning from Eric’s point of view to Noah’s. I don’t want Noah to sound like Eric at all and give readers the same old, same old.

That said, I do find it difficult to fully get inside Noah’s head. He’s Eric’s complete opposite by way of temperament, and Helleville is written in third person limited omniscient, so there’s even more distance between the reader and the main character. Since I’m still in the process of writing it, I’m way too emotionally and mentally close to the story, so I can’t make any objective judgments about how the story’s turning out overall. That won’t happen till the massive revisions after the first draft’s written, but I do wish I could accurately assess it right now.

I must admit that I’ve been tempted to just chuck any attempt at new contemporary fantasy series and simply focus on expanding Masks to however many volumes it’ll take me to write it (I initially gave myself no more than ten books for the series) and then publish occasional short fantasy fiction on the side to keep my historical fantasy skills up to date.

But I don’t know how that would work out. I’m currently reading a historical mystery series that runs eight volumes long as I type this, and the author told me that she’s just resurrected her characters and is working on a new installment. I wonder if she’s doing that because of the same issues I’m currently having, switching over to a new character and a new world in the same genre after being fully immersed in something else for six volumes of the series. I wouldn’t be surprised if she is, and I empathize completely.

At any rate, it’s full steam ahead with Helleville, and while it looks like this book will end up being a full novel, I’m still not sure whether or not to turn this into a series.

Stumbling to My Feet, Finally

Oh, drama! This week was the designated week for me to get started on a new story, which was technically Helleville. Unfortunately I got bogged down by my hand-wringing over novel-length stuff and ended up scrapping an entire writing day to all kinds of writerly existential angst. I got online, dug up articles and blog posts regarding the short fiction market, and in the end, I got into an email exchange with my publisher regarding her thoughts on the matter.

And that helped a lot, in addition to a quick chat I had with a writer of lesbian romance fiction who’s currently self-publishing fairy tale novellas.

Anyway, I decided to cut back on my novel-length fiction – at least indefinitely. My plan is to keep my Masks series going with novel sequels, of course, but that’s also because Eric’s universe is packed with so many possibilities as far as sequels go. And since there’s really no major story arc that strings all of the books together, I write them episodically – like a sitcom, pretty much.

But as far as new contemporary fantasy and especially historical fantasy stories are concerned, they’ll all be published as either novellas or novelettes, which will all be bundled together as single author anthologies following specific themes. I like the idea of having a huge backlist of shorter fiction from which readers can pick and choose (I sound like iTunes, don’t I, but that’s the idea) what they’d like to read without the burden of being stuck with other stories they don’t care for – or books that are too long for them, considering my writing style, which might not sit well with some readers. But if they want collections either in e-book or print, they also have that option.

I may be writing series novellas, but that’ll depend on how well the stories do with readers, i.e., if there’s enough of an audience to justify sequels. By and large, though, the shorter stories will all be linked thematically. Original fairy tales, ghost stories, and boarding school fantasy stories are lined up so far. More themes will pop up as I go along, but the beauty of writing these shorter pieces is the fact that I can also alternate between them and not get bogged down so much from writing in the same genre for too long, the same way I get burned out on marathon writing that’s required by novels.

Today I finally started writing the first novella (the story’s too elaborate for a novelette but not enough for a novel), which I’ve yet to title. It isn’t Helleville, and I did this to shock my system into moving again after several days of lazing about and resisting the idea of creating something. On that writing day that I wasted, I was really hell-bent on working on Helleville, but I couldn’t get a single word written. I figured then that, having written two contemporary novels in a row, I was just burned out on the genre. Now that I think about it some more, it could very well have been a combination of genre and story length in addition to my indecision.

And I’m glad I held off and talked to my publisher and that other writer. Maybe I just needed that bit of reassurance from people in the know after having devoted four years straight to nothing but novels. Letting go is always a hard thing for me; separation anxiety tends to hit me hard, even though the logic of the situation is so glaringly obvious. At any rate, I’m ready for it now, and I look forward to exploring uncharted territory.

The Woman in Black

I finally saw The Woman in Black with my sisters early Wednesday evening. I’d already done my share of review-reading beforehand, and I reread Susan Hill’s novel in preparation. I’m a sucker for classic ghost stories, as you know, and this was a great opportunity for me to scratch that itch, seeing as how it’s been a dog’s age since I last watched a really good haunted house film (The Orphanage, 2007). I also come from a family of ghost story fanatics, so watching The Woman in Black with my sisters was a definite plus.

I’m putting my review under a cut because it has major spoilers. Beware.

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